News Release
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12.20.2004
Elaine Justice, 404-727-0643, elaine.justice@emory.edu
Nancy Condon, 404-727-1687, nancy.condon@emory.edu
Rare Jewish Cantata to be Performed at Emory
The Emory Early Music Ensemble will team with Matthew Peaceman of
Mainz, Germany, for a performance of a rare cantata written for the
Jewish celebration of Hoschan'ah Rabbah in 1733. The work will be
performed by solo male singers with the Emory Baroque Orchestra at 8
p.m. Thursday, Jan. 27 at Cannon Chapel, 515 Kilgo Circle on the Emory
University campus.
A preview of the concert will be performed at 8 p.m. Wednesday, Jan.
26 at The Temple, 1589 Peachtree Street NE, Atlanta. Both concerts are
free and open to the public.
The work is rare in that the majority of religious cantatas performed
by groups specializing in historical music are Christian works by Bach,
Telemann, Handel and their contemporaries. Although the composer of
the cantata is unknown, it was written for a Jewish community in northern
Italy. As is traditional with religious cantatas, the movements within
the work alternate between instrumental and vocal sections. The male
singers, who include a countertenor (male alto voice), a tenor and a
bass, will perform arias and recitatives with orchestral accompaniment.
The orchestra consists of 11 stringed instruments, two oboes and a
harpsichord, all tuned at baroque period pitch.
Peaceman, an American-born Jewish musician, reconstructed the cantata
from the original manuscript and will serve as guest musical conductor
for the performance. The Emory Early Music Ensemble is directed by Jody
Miller of the Emory music faculty.
In addition to the cantata, the performance will include Antonio
Vivaldi's "Sinfonia in G Major" for string orchestra; his
"Concerto in
C Major" for recorder, oboe and strings (performed by Peaceman
and
Miller); and recorder quintets by Salomon Rossi.
For more information, contact Arts@Emory at 404-727-5050 or
boxoffice@emory.edu. Directions to Cannon Chapel can be found at
www.arts.emory.edu. The concert is sponsored in part by The Institute
for Jewish Studies at Emory, the David Goldwasser Lecture for Religion
and Arts, Emory Concerts Division, the Atlanta Early Music Alliance
and the Atlanta Recorder Society.
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